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We've made a LOT of Ableton synth presets, and it's time to bundle 10 packs together into more than 1500 extremely useful Meld, Drift, Wavetable, Operator, Analog, Collision, and Tension presets.


This bundle includes over 1500 handmade Ableton .adv preset files. Just pure Ableton instrument presets to play, program, design, and make music with.


To make this bundle irresistible, you can own all 10 preset packs for 75% off. 


What's included:


  • chip chunes (Ableton 12+ Suite)

    • 256 chiptune presets for Meld

  • plucked apart (Ableton 11.3+ Intro)

    • 128 retro pluck presets for Drift

  • analog 256 (Ableton 11.3+ Suite or 12+ Standard)

    • 256 presets for Analog

  • meld 256 (Ableton 12+ Suite)

    • 256 presets for Meld

  • drift 256 (Ableton 11.3+ Intro)

    • 256 presets for Drift

  • strung out (Ableton 11+ Suite or 12+ Standard)

    • 64 presets for Tension

  • science friction (Ableton 11+ Suite or 12+ Standard)

    • 64 presets for Collision

  • intimate positions (Ableton 11+ Suite)

    • 69 presets for Wavetable

  • thunder pads (Ableton 11.3+ Suite)

    • 64 pad presets made with thunder for Wavetable

  • smooth operator (Ableton 11+ Suite)

    • 127 presets for Operator


Stacks on stacks, on stacks, on stacks, on stacks, on stacks, on stacks, on stacks, on stacks, on stacks of presets.


• 100% Royalty-Free.

• Designed in Vancouver, Canada by Subsocial Studios.


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_the accountant makes early and mid 20th century accounting machines playable in Ableton Live 12, with 177 samples + 2 custom Drum Racks. It’s 100% mechanical for when you’re feeling mathematical.  It’s money for sound design, or whatever type beat you’re making paper with.


Using an adding machine from 1923, and a cheque stamper from 1953, we meticulously sampled every button, lever, tear, ding, dong, latch, guide, and paper feed sound we could. Capturing the intricate sounds with an array of different stereo microphone setups was the plan. Placing tiny spot microphones into the machines gave a very hyper-real sort of sound, while microphones overhead and around the machines brought out a more balanced aural overview. 


Having a sound designer like, Paul Boechler helping setup, perform, and record these sounds with us, was key in capturing what we have in this release. This sample pack is a perfect companion to our previous release, _the typist.


There are 177 samples in total, including:


  • Buttons

  • Paper Feeder

  • Paper Guides

  • Levers

  • Sliders

  • Paper Stamps

  • Combinations


These WAV samples can be used in any software or hardware you like, or you can use the included Ableton 12.2+ Drum Racks to starting playing like a bookkeeper right away. 


There are 2 different Ableton Drum Racks:


  • Adding Machine

    • Use to play the adding machine samples.


  • Cheque Stamper

    • Use to play the cheque stamper samples.


Music is math.


The Controls

level

  • controls the overall volume of the instrument

scoop

  • cuts different ranges of frequencies from the sound

  • lower values thin out the sound

  • higher values dull the sound

spool

  • adds a startup pitch effect

  • increase for a longer startup time

speed

  • change the playback speed of the samples

  • pitch is proportional to speed

size

  • creates a larger stereo image

  • increase to widen the sound

space

  • adds a reflective room reverb 


• Minimum Ableton requirements: Ableton 12.2 Intro

• 177 Vintage Accounting Machines Stereo Samples (180MB)

• 2 Ableton 12.2 Drum Rack Devices (.ADG)

• 6 Device Macro Controls

• 16 Sound Presets

• 96k/24bit .wav sources

• 100% Royalty Free


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_perfect storm is a free Ableton Max for Live device that effortlessly and naturally generates a perfect immersive binaural storm experience.


This binaural thunderstorm generator is built on our own library of ambisonic field recordings from around the globe. With a variety of storm layers and loops, we designed a Max for Live instrument that seamlessly generates realistic rain and storms with different energies and natural sounding changes over time. You can control the storm yourself, automate it over time, and modulate its controls, but it will still behave erratically enough to remain as natural as possible. Sometimes you might even hear some birds, or the backdrop of rain hitting leaves in the jungle.


  • Create an endless realistic sounding storm that lasts as long as you want. 

  • Use MIDI and automation to plan and shape your storm over time.

  • Design scenes or sequences with rain and thunder that evolves over time. 

  • Use as a backdrop, intro, outro, or texture anywhere you need it in your music productions.

  • Just turn it on and chill if you like.

  • Create your own meditation app?


This is the first in our series of generate Spatial Audio devices. We hope you enjoy your new storms.


Life isn't about waiting for the storm to pass...It's about learning to dance in the rain.


The Controls


LEVEL

  • Output level control for your perfect storm.

  • Use this control if you want instant control over the level of your designed storm.


ENERGY

  • Increase for more storm energy. 

  • The storm intensity will increase and decrease like a real storm. 

  • At MINIMUM there is only light rain.

  • You have general control of the storm energy, but it acts unpredictably enough to sound real.


SPEED

  • Increase to speed the storm up, lower to slow the storm down.

  • Speed changes will happen slowly to sound more natural.


MOOD

  • Increase to be outside in the storm. 

  • Decrease to be cozy inside.


START

  • Naturally Start the Storm.

  • The storm will start over a period of time that sounds more natural.


STOP

  • Naturally stop the storm.

  • The storm will stop over a period of time that sounds more natural.


TRANSPORT

  • Link your project's transport.

  • Perfect Storm automatically mutes when stopped.


• Minimum requirements: Ableton 11.3+ Suite

• 1 Ableton Max for Live Device (1 .AMXD file)

• 96k/24bit True Binaural .wav sources.

• Designed in Vancouver, Canada by Subsocial Studios.



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